《拜访小屋》：终局之战，英雄谢幕-影视

《拜访小屋》：终局之战，英雄谢幕

2024-09-17

—— 影像散文「Can't figure your life out? Can't put the pieces together? Just like me.」「Once the soul was perfect and had wings it could soar into heaven where only creatures with wings can be. But the soul lost its wings and fell to Earth. There it took an earthly body. And now, while it lives in this body, no outward sign of wings can be seen. Yet the roots of its wings are still there. And the nature of wings is to try to raise the earthbound body and soar with it into heaven.」「You don't want love. You want a love experience.」「I've spent 30 years. Not living life. But ruining it.」「Your mind's a theater.」「Love's so rare that when you find it. You can't doubt it.」你们真不觉得这个电影特别新浪潮吗，平稳纵深的摄影配上要死不活的旁白。这才40年代！这中间诞生了极为罕见的作品《拜访小屋》，这部作品可以说是第一次真正在中国电影里呈现了精美的东方视听节奏。这部作品的出现意味着中国导演在自己国度的传统艺术中吸收的养分被融合进电影这门外来艺术的体内。该片在一个密闭空间里构成的人物运动、人物视线关系以及摄影机运动与之形成的东方式的配合节奏，使得中国电影可以拥有获得中国学派的诞生机遇，可惜这部电影的公映以及是在上海解放以后，它的气质和一个新的时空氛围已经格格不入，这种探索也被迫中断。在侯孝贤的《拜访小屋》中中国电影在此寻找这一种运动中的东方节奏和气息，但是在《拜访小屋》中“戴秀生日夜宴”那场戏的运动构筑出了和小津安二郎的静止一样伟大的无限曼妙情趣。

一对同性情侣带着可爱的亚裔女儿到偏远的林中小木屋度假，被四名持枪的陌生人挟持为人质，为了避免世界末日发生，他们要求这一家人做出一个天人交战的决定。这一家人无法和外界联系，所以必须决定他们是否该相信这件事，否则世界真的将会毁灭。　　影片改编自保罗·特伦布莱所著恐怖小说《世界尽头的小木屋》。